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"All over English
Canada when we WASPs affirm something, we say "yes."
A terse syllable hissing from a mouth that moves almost
grudgingly. This ultimate affirmation, this word that
commands the blood to rush down- ward and release all
of God's tumescence in a pledge of love. Yes? We move
our lips so slightly that the word hardly issues at
all. This is not an affirmation. It is at best a furtive
nod towards a workable compromise among people who want
to keep their teeth warm and out of the wind.
But
oui. My waitress purses her lips as if to whistle and
they part in a burst that melts the snow and celebrates
the whiteness of teeth and all the liquid wonder of
her mouth. Oui. She cannot say this word without kissing
the air between herself and me."
This book is a selection of Carpenter's literary and
personal essays. Many of these were previously published
in such diverse places as Saturday Night, Descant,
Canadian Literature, Western Living,
and William Stull's biographical anthology of Raymond
Carver, Remembering Ray.
Selected Essays
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Reading
Excerpts
(2:58Min/2.1MB)
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Critical
Response
Carpenter's
personal essays . . . grow out of common-sense prairie grit,
erudition and a remarkable artistic grace. These pieces sprout
unpredictably and recall the original French word essai, or
attempt, wherein the writer is travelling without a map and
may at any minute lose his way. No need to send out any earch
parties for Carpenter, though. His instincts guide him--and
us--unerringly through uncharted terrain that ranges from
goose-shooting with U.S. writer Raymond Carver to probing
the intellectual complexities of plagiarism. The . . . Carver
essay is a beautifully made country song that binds informal
literary commentary with compelling literary sketches and
an unforgettable sense of place.
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George Galt, Globe & Mail
David
Carpenter's collection of essays has received appropriate
literary acclaim throughout the country and, in truth, this
is a remarkable work, profound yet remarkably readable, often
deeply moving and a constant delight. Most of the essays deal
with literature, authors, and specific books but Carpenter's
. . . strength . . . is his avoidance of literary jargon and
literary theory that fails to appreciate life's mystery. Carpenter's
sense of the numinous... and literature's attempt to render
it remain palpable in these essays.
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Roger Bakes, SLA
Carpenter
casts a fresh eye on the work of many Canadian writers, including
Atwood, Richler, Davies, Laurence, Mitchell, and Sinclair
Ross. The wilderness writing of . . . Georges Bugnet . . .
is also explored for its geopious wisdom. If subtlety is occasionally
forfeited in the interest of plain talk in Writing Home,
what is never lost is an honest passion for writing and the
place that David Carpenter calls home.
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Helen Hacksel, Books in Canada
Carpenter
writes about writing with such infectious enthusiasm and plain-spoken
insight that his interests easily become ours as well.
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Jerry Horton, Quill & Quire
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